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LATEST RELEASES
DISCOGRAPHY/
VIDEOGRAPHY
Releases #0105
Releases #0610
Releases #1115
Releases #1620
Releases #2125
Releases #2630
Releases #3135
Releases #3640
Releases #4145
Releases #4650
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Various
Artists
Just Payin' the Rent:
Amoeba Music Compilation Vol. II
LABEL: Hip Hop Slam
RELEASE #: 16
RELEASE DATE: November, 2000
CATALOG #: HHS-021
FORMAT: CD
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This
second compilation in the Hip Hop Slam/Amoeba Music collaboration
series is another richly diverse offering of (primarily) Bay Area
musical talent. The compilation's nineteen tracks include hip
hop (Slumplordz, Bachelors, B.L.A.C.K., Two Man Band, DJ Zeph),
electronic (Halocline, Afrocubist, Ska Boys, DJ Fear), rock (pre-teens,
Gods Hate Kansas, Dealership), country-rock (Drive By Truckers)
and "other" (O-Type, Crack Emcee).
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DJ Sushi
The Lost Dub Plates EP
LABEL: Kawaguchi Kut Records
/ Hip Hop Slam
RELEASE #: 17
RELEASE DATE: September, 2000
CATALOG #: HHS-018
FORMAT: Vinyl LP & CD
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The
Lost Dub Plates EP by the late Japanese DJ Sushi compiles
eight tracks from his extremely rare dub-plate recordings from
1997 and 1998. Often describe as "difficult" and "elusive"
DJ Sushi was a creative, strong-willed loner who believed solely
in the art of the turntable. He stubbornly shunned the whole concept
the whole concept of DJ as celebrity (he never allowed his picture
to be taken) and detested what he saw as the commercialization
of scratch music. Undoubtedly with his skills DJ Sushi would have
easily been a champion battle DJ but he vocally refused to ever
enter any DJ battles. "It's an art, not a sport," he
told Giant Robot magazine in 1998 in his only published
interview. A little over a year later he tragically took his own
life. Ironically for one who shunned public attention, Sushi has
garnered more than his fair share of it since his death, including
an Internet based rumor that he didn't even exist and that it
was Qbert or Kid Koala or Eddie Def who made his music; all of
which has been denied by these DJs and whose callousness has been
criticized by both Sushi's widowed mother and fellow Japanese
DJ Krush who appears briefly on the EP.
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Shiggar Fraggar 2000
LABEL: Hip Hop Slam
RELEASE #: 18
RELEASE DATE: November, 2000
CATALOG #: HHS-016
FORMAT: CD
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Featuring
emcee UB along with DJs Shiggar Fraggar, Flare, Disk, Disk's Ugly
Grandpa, D-Styles, and Golden Chyld and Ngobility from the Finger
Bangerz. This live radio recording marked a return of Shiggar
Fraggar after a few year absence. Also featured is the bonus ol'
skool Shiggar Fraggar Show! Vol. 5 outtake track "Africa,
Antarctica, & Your Moms House" featuring Mix Master Mike,
QBert, Shortkut, Apollo, Disk, Shiggar Fraggar, and UB40.
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Eddie
Def
Open Your Mind (Wax People II)
LABEL: Hip Hop Slam
RELEASE #: 19
RELEASE DATE: July, 2000
CATALOG #: HHS-019
FORMAT: CD
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Eddie
Def is known by most for his membership of the Bullet Proof Scratch
Hamsters, the Space Travelers, and El Stew and his appearances
on the Deep(er) Concentration compilations.
His first two Hemp Lords were recorded in '96 and '97
at his Mission District Cheap Recordings Studio (his living room).
Hemp Lords III: Sample Jerks was recorded in '98 after
his relocation from the Mission to Mayberry. Ironically since
his move from the noisy city to the quiet sunny suburb of Mayberry
Eddie's music has grown much darker and more intense (tracks:
20, 21, 22, and 23) with more of a hard"hamster scratchy"
feel.
Eddie Def's history: As a teen growing up in the San Francisco
Mission district Eddie Def, when not running with his 15 member
crew MDC (Mentally Disturbed Children, Mission Dope Crew, or Mad
Drinking Crew), was at home practicing on the turntables. In the
following years he cranked out literally hundreds of mix-tapes,
flexed his battle skills, and hooked up with DJ Quest and DJ Cue
to form the infamous Bullet Proof Scratch Hamsters crew who made
their mark on the DJ world in 1993 when they released their battle
break record Hamster Breaks I, which broke the usual tradition
of how break records should sound. By linking the scratch sounds
together like hip hop battle phrases with other sounds and music
Hamster Breaks was tailored strictly for the scratch DJ
to use in battles.
However by the time most people had caught on to who exactly
the Bullet Proof Scratch Hamsters were, they up and changed their
name. In 1996, with DJ Marz now in the lineup, they became the
Space Travelers and released the double-vinyl Hamster Breaks:
Vol. 3 1/2 (Note: Hamster Breaks II is coming soon).
One confusion that Eddie is eager to clear up is the industry
use of the term "hamster" as in "Hamster Switch"
or "The Hamster Cage" , etc., which first appeared on
a Vestax mixer in 1994. "We get embarrassed when people said
we created this style. We never designed it," says Eddie.
"The companies just started to use that term; hamster."
One of those companies was Numark who coincidentally now Eddie
and fellow-Hamster DJ Cue have endorsed (FOR THEIR HAMSTER SWITCH).
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Various Artists
Turntables By The Bay Vol. 1
(all that scratchin'
is makin' me bitch)
LABEL: Hip Hop Slam
RELEASE #: 20
RELEASE DATE: February, 2001
CATALOG #: HHS-020
FORMAT: Vinyl LP
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Turntables
By The Bay Vol. I (all that scratchin' is makin' me bitch)the
first vinyl release in the 3-part Hip Hop Slam DJ compilation
series of Bay Area DJsfeatures both live & studio recordings,
some brand new and some previously released tracks. Spanning five
years (1995-2000) of Bay Area DJ history, all but one of these
ten tracks (#3) are available on vinyl for the first time ever.
The Groove Robbers feat. DJ Shadow's brand new "Flashback"
was recorded especially for this collection and marks both a return
of the Groove Robbers name (back from the early-nineties Solesides
days) and also a slightly different direction for DJ Shadow, especially
for those just familiar with his Endtroducing... album.
"3PM Migraine" introduces Oakland's previously unknown
DJ Stoic, a prime example of one of the legions of supertalented
"bedroom DJs" from the Bay and beyond who for years
have been quietly devoting themselves to art of the turntable.
Peanut Butter Wolf's classic "The Chronicles (i will always
love h.e.r.)" demonstrates the longtime Bay Area artist's
skill as both a DJ and a producer and is taken from the equally
classic album Return of the DJ Vol. I. Released back in
1995 by Dave Paul's San Francisco BOMB Hip Hop label, Return
was the first ever all DJ/scratching compilation and today reads
like a who's-who of the world's top turntablists; including Wolf,
The Beat Junkies, Cut Chemist, Z-Trip, Invisibl Skratch Piklz
Mixmaster Mike (solo) and Rob Swift.
"Turntable Circumcision" by D-Styles & DJ Flare
is taken from the Shiggar Fraggar 2000 (CD/VHS) and showcases
both DJs' turntable skills. But what's so amazing about this cut
is that it was recorded live in one take with absolutely no overdubs
or studio trickery. Likewise for Mixmaster Mike's short-but-intense
live "Battle For The Mind" and also the Invisibl Skratch
Piklz' "Insect Mind Numb"both from the legendary
all-live The Shiggar Fraggar Show! Vol. 5 (May 1996) when
the (now defunct) Invisibl Skratch Piklz' lineup was Q-Bert, Apollo,
Shortkut, DJ Disk, and Mixmaster Mike. Four years later on July
1st, 2000, the day of the Skratchcon2000 DJ conference
& the Thud Rumble DJ concert, the Invisibl Skratch
Piklz called it quits as a group.
The breakup of ISP left the Bullet Proof Space Travelers (originally
the Bullet Proof Scratch Hamsters and later The Space Travelers)
the longest running Bay Area DJ crew. Today's BPST lineup includes
DJs Quest, Eddie Def, Cue, Marz, Richness and emcee Eddie K. "Quest
Represent" by DJ Quest (also a member of Live Human) is produced
by Eddie Def. It originally appeared on Def's 1997 Hemp Lords
II: Wax People cassette only release and later on CD on the
1999 Hip Hop Slam release Wax People. Eddie Def also co-produced
and did all the scratching on "All That Scratchin' Is Makin
Me Bitch." A collaborative effort with Oakland's DJ Killahoe
it is taken from the Pirate Fuckin' Radio 100 compilation.
Also from that same CD is "Killer Cali Cut" by the BPST's
DJ Marz. It can also be found, in a slightly different version,
on his 1999 Brain Language CD. Like DJ Marz, who shows
no discrimination between so called "rap" and "hip
hop," engineer/DJ Stevie K also has equal love for West Coast
gangsta mob, as displayed on his "Young Mixdown." DJ
Stevie K, who made a name back in the early/mid nineties entering
numerous Bay Area DJ battles, originally released this track in
1995 on Closed Caption's The Harvest when he was the producer
with the now defunct Oakland group.
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